Scholastic Press

The Last Resort : The Claiming Review

Book: The Last Resort : The Claiming
Author: Jasmine Warga
Publisher: Scholastic Press
Year: 2026
Rating: 3 out of 5 stars

Synopsis : “For the first time, Teddy is actually excited for the school year to start. His new neighbors, Lila and Caleb, are transferring to his school, which means he’ll finally have real friends! But Teddy has a secret he’s desperate to protect – one that explains why none of his classmates have spoken to him in years…
And that’s not all. Despite having sent the Fire Maiden back through the portal, strange things keep happening at the Castle Hill Inn. Teddy’s nightmares are back in a big way, and after getting stuck in the portal herself, Lila seems to be…flickering?! Almost as if something, or someone, is trying to summon her from our world to the next.
Teddy will do anything to protect his friends, but he’s terrified of repeating the worst mistake of his life. Yet Teddy might be the key to uncovering the Fire Maiden’s evil plans, and in order to stop her, he’ll have to face his greatest fears – the ones he’s spent his whole life running from.”

Review : I only just reviewed book one in this series a few months ago (here), so I was pleasantly surprised to see book 2 following so quickly behind. You may remember that I speculated there might be a second book based on the way book 1 wrapped up and here it is! There will most certainly be a book 3, given The Claiming did not completely conclude – though, there wasn’t a cliffhanger, so it’s still easy to read without moving on to book 3 if you don’t want to wait. This book was written by a different author than the first and honestly? It shows. Book 1 was so cute, a little scary, and perfectly spooky and while this book certainly did it’s best, it brought glaring differences and more than one problematic storyline to the table. I’m not sure why the authors changed and I don’t currently see a point to doing that beyond changing the entire tone of the book, which I’m positive was not intentional.

Caleb, Lila’s brother, who we were introduced to in Book 1, has an entirely new personality and tone of voice in this book, so much so that I wondered about the change before I realized the author was different. It’s a strange choice to make such a broad change between two books, particularly when they’ve only released within a few months of each other. If I’d have had time to forget the tone, perhaps it wouldn’t have been such a glaring difference or made such an impact on me, but a 4th grader going from a typical scared younger brother to someone who says phrases like “statistical anomaly” is a bizarre shift.

The storyline picks up where book 1 left off, with ghostly mysteries happening in the Castle Hill Inn, Lila and Caleb’s new home now that their Grandpa Clem has died. Unlike the first book, though, The Claiming features Lila’s next-door neighbor, Teddy, as the main character and narrator. I enjoyed this perspective shift and feel it helped round the story out in a way that has kept things from getting stale or too much the same from book 1. Ultimately, the plot was enjoyable and quick moving and left me flipping pages to see what would happen next.

Unfortunately, however, this book does not seem suitable for kids and I’m actually shocked that Scholastic felt okay with the content of two problematic scenes. If I were a parent, I would be keeping this book out of the hands of my kids for two reasons : First, a scene where Teddy and Lila meet up with a complete and total stranger, a person they met on an online message board who now just so happens to live in the same town they live in (though Teddy has been messaging with this person for a few years and had no idea). This feels deeply problematic and upsetting, especially given the way that particular storyline played out. **Spoilers Ahead** Rather than having any kind of parental guidance, Teddy and Lila actually do choose to meet up with their “friend” from an online message board, a complete stranger who’s spent years messaging with Teddy without letting him know they live in the same small town. Second, the same online “friend” encourages Teddy to sneak out of his house at 1am…and Teddy goes along with what he suggests, sneaking out and facing no consequences for his actions. In fact, the storyline doesn’t even pick back up after Teddy sneaks out and meets up with this person, it jumps straight into the next scene. This book is geared toward kids, at least as young as 4th grade and as old as middle school and is actively encouraging kids to meet up with strangers from the internet and sneak out of the house by way of example. How is this okay??

While I enjoyed book 1, book 2 took a staggering and dramatic turn for the worse and I’m disappointed to see the change. I can only assume it happened because of the author swap and while I left book 1 hopeful for a followup, I’m leaving book 2 hoping parents find this review and opt out of this book for their kids.

Advice : As an adult, I enjoyed the story, the ghosts, and the little twists and turns throughout. I would never, however, allow a kid to read this book and I hope you do your due diligence before checking this out from the library or purchasing it for your kids.

Best of All Worlds Review

Book: Best of All Worlds
Author: Kenneth Oppel
Publisher: Scholastic Press
Year: 2025
Rating: 5 out of 5 stars

Synopsis : “Xavier Oak doesn’t particularly want to go to the family cottage with his dad and pregnant stepmother. But family obligations are family obligations, so he leaves his mom, his brother, and the rest of his life behind for a weekend at the lake. Except…on the first morning, he wakes up and the cottage isn’t where it was before. It’s like it’s been lifted and placed somewhere else.
When Xavier, his dad, and Mia go explore, they find they are inside a dome, trapped. And there’s no one else around.
Until, three years later, another family arrives.
The Jacksons are a welcome addition at first – especially Mackenzie, a girl Xavier’s exact age. But Mackenzie’s father has very different views on who their captors are, and his actions lead to tension, strife, and sacrifice.
In this masterpiece, award-winning author Kenneth Oppel has created a heart-stopping, can’t-wait-to-talk-about-it-story, showing how our very human choices collectively lead to humanity’s eventual fate.”

Review : Best of All Worlds is a serious mind bending, quasi-scifi, semi-dystopian work of speculative fiction. A family leaves for their lake cabin, something they’ve done for over and over again for so many weekends of their lives, and when they wake in the morning they find they’re somewhere else entirely. What follows is a journey into what a so-called perfect life might look like : no diseases, no bugs, no predators; what a simpler life in a world undisturbed by human activity might entail: hard work, homesteading, eating simply; and what kind of emotional processing that might require. We spend perhaps just shy of one third of the book with the Oaks alone during the first few weeks after they arrive, learning the lay of the habitat, discovering they’re encased within some kind of smart, self-healing dome under which they have electricity and everything they need to survive, but not much else. We find they’re all on their own, their captors seem fairly benevolent, and while they certainly haven’t been transported and isolated with consent, they do their best to make do with the situation at hand. It’s at this point that the book jumps three years into the future – our protagonist Xavier is now 16 years old and has given up all hope of ever seeing another soul again when, out exploring the dome in the middle of the night, looking for a way out, he witnesses a new home being built by tiny nano-bots. The Jackson’s have arrived and suddenly the Oaks are no longer alone.

Oppel has created a visionary work that left me with questions all the way up until the final page. There was no moment where I’d figured everything out, nothing that disappointed me in a predictable sort of way. Best of All Worlds is a truly impressive work that delves into the current climate disaster, the weight of impending future pandemics, climate related deaths, and the paranoia and racism that seem to grip so many people these days. Set sometime in the future, though I would suspect it might be sometime between 10 and 15 years beyond where we find ourselves now, BoAW takes place at a time when the climate crisis has turned into a full-blown climate emergency, with sea walls being built (or not built, depending on the not really mentioned political leanings of each particular state), thousands of people dying due to heat domes over intensely warm states like Florida, climate refugees seeking new land, and, of course, horrific racist conspiracy theories that keep people in the grimy clutches of paranoia. The Jackson’s offer a foil to the Oak’s level-headed mindset – Riley Jackson, our intrepid patriarch, is a deeply paranoid Christian with a belief that the broader governmental system is out to get, well, everyone. Convinced that the dome is nothing more than a big government conspiracy designed to…do something vague…Riley sets out immediately to find a way out and through, to expose the government’s plans, and to live on the fringes of society while he does so. On the other hand, we have Caleb Oak, hard working the land where he now lives, convinced that the reason they’re living within the dome is due to some form of alien activity – a conclusion he only came to after several years living as a captive, seeing technology he’s never witnessed before, and gaining an understanding of what does and doesn’t work in this place. Two equally strange ideal systems, though Caleb Oak seems content to exist in a world where his family is safe and freedom is less about fear and more about a calculated, level-headed decision.

Oppel speaks so clearly to the fear-based conspiracy theories that currently run amok within our world, particularly within the United States, and while we all know this isn’t exclusive to the US by a long shot, we do see this played out in the book with the Oaks being Canadian and the Jackson’s hailing from Tennessee. Much like Xavier will find at the end of the book, I believe anyone on any spectrum of political ideology could read BoAW and come away with something different – we hear what we want to hear, read what we want to read. However, there’s no overlooking the very real inherent through-line of racism that permeates everything the Jackson’s do, the way in which their own need for a life free of fear has actually cast their entire world in a metaphorical bubble of fear and hatred and, ultimately, evil, and the way in which the incessant need to overcome what they perceive as a targeted attack on their rights ultimately leads to just one thing : death. In our present world, this may look like so many things, from the genuine climate disaster, to concentration camps, deportations without due process, and the vulnerability of the weakest members of society when anti-vax conspiracies and rugged individualism run rampant. There’s a lot to be said for compassion, and I believe that’s what Oppel is touching on with this book – a desperate need for compassion, for truth to prevail, and for humanity to release it’s grasp on the idea that we are somehow alone amongst the masses of those who might not be or think just how we do.

This is one of those rare books where I’m going to choose not to spoil anything for you, even with a spoiler warning. You won’t know what hit you until you turn that final page, so buckle up and dive in, you don’t want to miss this one.

Advice : Part science fiction, part coming-of-age, Best of All Worlds is an excellent read. Perfect for those interested in the nuance of the ever widening divide between political parties, for those who believe the humanity deep within each of us is something that makes us inherently more connected than we ever will be different, and for those who are really ready to see the racist get what’s coming to them in the end. That’s all I’ll say for now. Read this one.

I Am Made of Death Review

Book: I Am Made of Death
Author: Kelly Andrew
Publisher: Scholastic Press
Year: 2025
Rating: 4 out of 5 stars

Synopsis : “Following the death of his father, Thomas Walsh had to grow up quickly, taking on odd jobs to help pay his gravely ill mother’s medical bills. When he’s offered a highly paid position as an interpreter for an heiress who exclusively signs, Thomas – the hearing child of a Deaf adult – jumps at the opportunity.
But the job is not without its challenges.
A selective-mute, Vivienne Farrow hasn’t said a word in years – not since going missing in Red Rock Canyon when she was four years old. No one knows quite what happened to her out in the dark. They only know that the sound of her voice is now as deadly as a poison. Anyone who hears her speak suffers a horrible death.
Vivienne is desperate for a way to regain control of bother her voice and her body. Because the face staring out of the mirror isn’t hers. It’s something with teeth.
Thankfully, she’s finally found someone who claims to be able to perform a surgical exorcism. She just needs to find a way to get rid of Thomas first. But Thomas can’t afford to walk away, nor is he willing to abandon the mysterious girl he’s falling for, no matter what dark powers threaten to swallow them both whole.”

Review : I Am Made of Death was the perfect antidote for both the book hole I found myself in after finishing The Devils and the disgust I felt over my last unfortunate one star review copy, Anji Kills a King. I needed something to grip me, and I Am Made of Death (IAMOD) did just that. I started and finished IAMOD in just under 48 hours, and had I just a tiny bit more free time available, I would have cut that time way down. Andrew created an absolute page turning, unputdownable read and I am eternally grateful for that.

As a child, Andrew lost her hearing at just 4 years old and it becomes evident throughout this book that Andrew has woven her own story into this dark fantasy, frankly, the personal connection, both to her own hearing loss and to her marriage with a Hearing individual, makes for a super compelling read. Told from the alternating perspectives of both Thomas, 18 year old interpreter for Vivienne Farrow, paid in unspeakably large sums of money by her step-father, Philip, and Vivienne, Thomas’ peer and wealthy heiress to Philip’s fortune who has remained largely unspeaking for most of her adult life. Following a tragic accident in the desert while a toddler, Vivienne has had the uncanny ability to kill with just the sound of her voice, no words necessary. Because of this unfortunate ability, Vivienne has mostly locked herself away, ashamed, afraid of her own voice, and more than anything, afraid of the monster she sees in the mirror. Both metaphor and reality, Vivienne is not merely the body from which a killer voice emerges, but the host to a parasitic demon; a demon who saved her life as a toddler, who continues to save her life as an adult, but for whom the price of existence is murder.

We enter IAMOD to find Vivienne mid-way into the process of entrapping a medical student into performing a highly risky procedure in which he will attempt to surgically remove the supernatural parasite from her body. Unfortunately, Thomas’ ever present self, and how little he knows or understands about the situation, stands between Vivienne and release from the creature who plagues her body and soul. *Spoilers Ahead!* Through the course of the book, told in three parts, we see an ever-diminishing gap between Vivienne’s hatred of Thomas and Thomas’ confusion over Vivienne’s situation. Andrew has written such a perfect foray into the sweetness of first love, it felt both intense and silly all at the same time, I found their quasi-friendship turned love so palpable and enjoyable. Beyond the slow growing love between Thomas and Vivienne, we also find a whole world of occult and magic intermingled with the world of high-stakes finance, law, and even medicine – it makes the somewhat dizzying world Andrew has created feel like maybe, just maybe, it could be part of our world.

Where things took a stumble, however, is in the telling. I can’t get a grasp on whether IAMOD is going to be the first in a series or whether it’s a planned stand-alone novel and that determines how I feel things were wrapped up and explained. If, as I hope, IAMOD is the first in a series, I think Andrew left plenty of room for questions to eventually be resolved and cleared up in a second, or even third, book. There were messy threads left incomplete by the time it was all said and done and as I closed the book I found I had more questions than answers. If this is to be a stand-alone novel, Andrew could have done a much neater job of tying up loose ends and that’s where I struggle with the final rating – there are too many things that went unsaid and too much that needed to be addressed for this to be the end. It’s possible this will be a one-off, but I think that would do a disservice to the characters Andrew has begun to built and a disservice to the broader aspects of the story that were never fully resolved. While IAMOD doesn’t end on a cliffhanger, it almost might as well with how many loose threads Andrew left behind and that’s why I feel this must be the introduction to a bigger world yet to be revealed through a sequel. I guess it’s yet to be seen! Either way, the loose ends as they were, this book was still so compelling, so well written, and so enjoyable that I had no choice but to give it 4 out of 5 stars. I think you’ll understand why when you read it.

Advice : If you enjoy a nail biter, enemies to lovers, dark fantasy, or a sweet first love story, this will definitely be for you!