Suffer A Witch Review

Book: Suffer A Witch
Author: Joy McCullough
Publisher: Dutton Books
Year: 2026
Rating: 4.5 out of 5 stars

Synopsis : “Joy McCullough’s earliest memories are of time spent in church, moments when she climbed the steps to recite from the pulpit, just like her preacher father. But when she was a teenager in San Diego in the 1990s, her connection to her family and church were forever altered when a youth pastor groomed and sexually assaulted Joy.
In her debut memoir, McCullough recalls both her abuse and its ongoing aftermath as she seeks healing and justice in a country that rewards men for sexual abuse and still insists “girls these days will say anything.”

Review : I would be remiss if I didn’t make it clear from the start that Suffer A Witch discusses sexual assault and on-going abuse of a minor, discussions of an eating disorder, abuse of power, religious domination, and police proceedings involving pressed charges as well as broad disbelief of women’s testimony and abuse within the church, past and present.

Suffer A Witch has come to me in the most unlikely of circumstances as I have no memory of requesting this advanced copy. Just two days before cracking the spine, I sat listening to Switchfoot’s new release, Darkness, for the first time, feeling waves of grief crashing through my body as I heard the words :

“In a prearranged marriage
The youth pastor from my parish
Pledged to marry the 10th grade girl from down the street
Strange way to start a song
Even stranger to belong
To that same youth group when I was just fifteen

McCullough, a pastor’s kid, or PK, in the 1990s at a Presbyterian church in San Diego, was sure she would grow up to become a pastor herself one day. Through verse narration and alternating essays on women witches through history and across the globe, she paints a picture of what so many women who grew up in the church know deeply in their marrow: That we are not, and will never be, safe among men in power. Suffer A Witch hit me like a punch right in the gut, as I also grew up in a Presbyterian church in the 1990s in the clutches of purity culture and male figures hell bent on keeping those who do the most harm safe from any form of justice. I read, enraptured by the truth telling McCullough was able to stomach, and felt the sick churning in my stomach knowing that had things gone even slightly differently, her experience could have been mine, too. Knowing, further, that her experience mirrors that of an incalculable number of other women and children in the church for what has now been thousands of years. The gross reality is that what has been shared in this work is not unique, that the words McCullough has cut from her own flesh is only an echo of what so many have struggled with from time immemorial.

McCullough, as though reading my own life story, has chosen a painting by the Italian Baroque painter Artemisia Gentileschi for the cover of her memoir; a painter whose image emblazoned a shirt I once owned that said “Artemisia AF”, purchased sometime in the last ten years in response to a particular president’s sexually graphic depictions of women and a particular supreme court justice’s rape allegations that went without any moral repercussions. If you haven’t been introduced to the feminist icon Artemisia, I highly recommend seeking her story out, though you will certainly be introduced to her through McCullough’s evocative description of the story – a woman raped and abused, whose father only pressed charges against the offender out of offense that his property, Artemisia, had been damaged. McCullough threads the needle of her story with short essays dedicated to shedding a light and sharing the importance of a number of accused witches throughout history, and pulls tightly to bind us together in a shared space of injustice and raging iniquity. If you weren’t mad before, you most certainly will be after reading this incendiary work. You should be feeling the flames of rage licking at your feet.

While not everything flows perfectly, McCullough has brought her unwavering perspective to the narrative and done what so many women know is the nearly impossible task of clearly stating her abuse, delving the emotional depth that comes with reliving her most harrowing traumas, and presenting the long-term, historical, and outrageous neglect of women and children at the hands of the church . Suffer A Witch made me so full of fury it’s almost hard to put into words. It is my story in so many ways, my own abuse while not at the hands of the church, wielded by a man who came from the church, who snuck into communities that refused to protect the most vulnerable, and who continues to exist in those spaces to this day with no repercussion. The church I grew up in was so deeply entrenched within the purity culture of the 90s that it felt almost unrecognizable compared to McCullough’s experience, and yet my teenage years were marked by dress codes meant to keep the men of the church from straying because the temptation was too strong, while children were offered no further protection beyond the incessant quest to cover our shoulders, legs, and midriffs. “What was she wearing?” may as well be the anthem of my youth group experience.

McCullough’s experiences are a funhouse mirror of my own, the experiences she had as a teenager while attempting to navigate the current of abuse and danger she experienced at the hands of every adult in her orbit, so relatable and understood by my own; the incredulity, the feelings of being unworthy, the shame, and the fear are all so palpable in my own life that I felt like I was having a conversation I could barely manage to have. Much of what McCullough details of her inner world are indeed exactly what I’ve worked so long to navigate in therapy as an adult. Suffer A Witch feels like a kindred spirit in the most soul-crushing and gut-twisting sense. I don’t wish McCullough’s experience on anyone, but I do wish this book into the lives of the women who grew up in the church, who weren’t protected, whose stories haven’t been believed, those who have deconstructed, who watched their former youth leaders date their former students while being gainfully employed by the church that sees no harm in the abuse of power, and those who have had their own stories to tell who have felt incapable of doing so on their own. This book is for us.

McCullough tells her story and no more, the fine line tightrope we survivors of abuse know intimately, as the laws are changing and our own stories are often not even safe for the sharing anymore (see Marilyn Manson, see Johnny Depp, see Donald Trump). She does make mention of her father, the pastor of her church who was ousted for his own infidelity and abuse – of power, of women – and while she doesn’t mention him by name, she does offer enough information for me to track down his own memoir and see that it sells for nearly $200. Endorsed by Desmund Tutu and with 4.2 stars on Amazon. Remarkable, indeed that a man’s story of redemption despite being an abuser can garner such words of praise from so many. I hope for us all that a woman’s story of truth and abuse at the hands of men in power can do the same. But I, too, know better than that. In my bones. In my marrow.

I hope you give this a read in spite of the difficulty of the content. These are the wounds we do best not to look away from. This is how we heal. By screaming the truth and keening and grieving and never letting it happen to another person again.

Advice : If you are okay with the content warnings, I cannot recommend this book highly enough. This is for those of us who have deconstructed, who have found Mary Magdalene and Artemisia and Sue Monk Kidd and Chanel Miller, who have spent hours in therapy dissecting feelings of worth, and who have ripped the old skin from our bodies in order to become something new. This is for the PKs, the Bible College dropouts, the silenced, and the loudmouths. It’s a quick read, not an easy read, but a good read. If you don’t want to find yourself galvanized, angry, or overwhelmed, this may not be for you. But if you’re ready, if you feel the rage licking at your feet, if you want to hear a voice giving words to that which you have felt unable to speak, this is very much, emphatically for you.

Peck & Peck Review

Book: Peck & Peck
Author: Bonnie Garmus
Publisher: Scribner
Year: 2026
Rating: 5 out of 5 stars

Synopsis : “It’s 1982, New York City. Crime is on the rise, muggings are in the streets, and Batter Gray, recent college graduate with a skill that no one wants – an “ear” for poetry – is worried about his future. While all his friends have real jobs, he’s folding T-shirts at the Gap. As for love? No. Not unless you count Sallie Mae, the student loan tyrant. He hears from Sallie all the time.
But when Batter gets a dream job at Peck & Peck, the most prestigious poetry quarterly in the world, his life moves into the literary fast lane. Soon Batter is knee-deep in the secret war between the two Editors in Chief, the famous Peck brothers – twins and enemies – as well as being privy to the private affairs of their thirty-nine editors, whose professed mission is the same: Find originality. Reward creativity. Burn the rest.
And by “burn,” they mean incinerate. Because at Peck & Peck, “good” isn’t good enough, “interesting” doesn’t cut it, plagiarists aren’t tolerated, and parolees run the mailroom. Still want to submit your poem? Go with God.”

Review : Peck & Peck is a book about poetry. Kind of. It’s also a book about the 1980’s. Kind of. And about twins. Kind of. What Peck & Peck emphatically is, wholeheartedly and without reserve, is a book about the wild and wonderful things that make us so uniquely human and all the ways in which we share this experience together. And while it’s set in the 1980’s, it’s also a 400-something page, profound yet subtle, argument in opposition to AI; that which can never know our shared humanity.

Batter Gray has a strange name. People get it wrong more than they don’t. His boss at Peck & Peck, Salton, calls him Beater. Most people think it’s a nickname or mistake it for something like Baxter. In fact, it’s a family name, one that was passed down from his mother’s dog. Peppered throughout much of Peck & Peck are glimpses into Batter the dog’s history by way of implausible stories shared by Batter the human’s mother. These stories are miraculous and nonsensical and carry a well-worn whimsy that remind me of movies like Big Fish or Secondhand Lions – the magical stories you might tell a child about what your life was like or what grand adventures your childhood dog got into; stories that serve some function or purpose in the grand scheme of learning life’s lessons. But what if Batter the dog really did do miraculous things and go on grand adventures a dog could not seemingly go on? What if the magical and miraculous inspire us to cling to the human belief of hope?

Peck & Peck is a book about obsession. Obsession with poetry. Obsession with type face. Obsession with history. Obsession with finding the truly remarkable. Obsession with becoming something. It’s a book that peels back the layers of the mundane and shows the reader what might lie just beneath the surface, the ways in which we experience life’s little miracles: The way the light shines through the branches, or how strong an egg shell must be to protect the life within, the color of the sky at dawn, or what it feels like to sit next to someone on an airplane and hear them speak about your favorite book in a way that makes you rethink everything. It’s a book about yearning and longing and love lost. It’s about the duality of man, the good and bad all wrapped up into one simple package, the human experience.

Peck & Peck is a brilliant, wild, unputdownable ride through the magical and the mundane. It’s a series of contradictions at times and at others it’s a perfectly fitted puzzle piece. Garmus wields words like a master craftsman, bringing me into the world of Jay Gatsby’s rolling parties at times and taking me back in my own experience to some of the worst jobs I’ve ever worked. She has created something that is both wholly unlike my own life and somehow completely relatable to my own experience. It is a masterstroke that invites us all into remembrance of that which makes our existence so spectacular and wonderful. Peck & Peck is a book about the shared human experience.

Advice : I think if you enjoy poetry it might make this book just that little bit more enjoyable but it’s not a requirement! If you have hobbies and gifts and experiences you love with all your heart, this book with strike a cord in your heart. If you love a well crafted narrative, winding tale, and expertly maneuvered plot, this is going to be a must-read. Go ahead and pre-order it! You’ll want to read this one.

Ghost in the Night Review

Book: Ghost in the Night
Author: Tiffany D. Jackson
Publisher: Scholastic Press
Year: 2026
Rating: 3 out of 5 stars

Synopsis : “Harmony Roundtree is obsessed with ghosts. She’s not entirely sure they’re real, but she has her suspicions. When visiting Savannah, Georgia – known as the most haunted city in America – Harmony goes on a ghost tour…and she sees something that night, in the window of an abandoned house. Was it a ghost? Or a trick of the light? With two new friends, Harmony sets out to investigate…and stumbles upon shocking clues that lead to an unsolved murder.”

Review : This is my third middle grade ARC from Scholastic Press in the last two years and I’m beginning to notice a theme. The first two, books 1 and 2 in The Last Resort series, follow a young girl navigating the death of her grandfather while investigating a series of ghostly apparitions while she’s out of town. In Ghost in the Night, a completely different book unrelated to the aforementioned series, we find Harmony, a 12-year-old, navigating the death of her grandmother while investigating a ghostly apparition while she’s out of town. It’s a striking resemblance to the structure and framework of an entirely different book written by totally different people. I took issue with The Last Resort series when the kids were normalized meeting up with a stranger they’d been speaking to online and once again I find myself taking issue with Ghost in the Night for similar reasons. While Harmony and her friends do not actively speak to strangers online and then go out into the real world to meet those strangers (as we see happen in The Last Resort), Harmony and her 10-year-old companion Robby do indeed seek out an adult male online and find him in person. When it all goes down, Jackson even goes so far as to write in a little internal conversation that this is basically a walking advertisement for meeting strangers from the internet. I’m getting really tired of reading about little kids meeting strangers from the internet, particularly adult men. I think middle grade authors can do a hell of a lot better than that. Kids deserve better than that.

I think it’s a worthwhile device to navigate death and grief in a kid’s book by introducing ghosts, but it’s beginning to feel a bit done already, especially coming from the same publishing house less than a year apart from each other. I want Scholastic Press to do better, to push for different storylines, and to try a little harder. I think they did Jackson dirty by publishing this story right on top of another series that’s doing the exact same thing with the same time frame. It’s worth noting that while the structure of the story was the same, the contents were different, but not different enough that I wasn’t thinking back to the other series throughout.

Ghost in the Night was a quick read with a heartwarming found family trope nestled within, but it was also wrapped up in a lot of fear mongering around ghosts, which felt like a slightly off-kilter take in a book about ghost hunting. It was just fine, but like I mentioned, it has already been done, and kids seeking out adults they met online will absolutely never sit right with me. There were aspects of the story that were left dangling, but not in a way that leads me to believe there will be a follow-up book, more so in the way that leads me to feel that they were accidentally left loose.

Advice : Once again, I have to caution parents to do their research with these Scholastic Press books. If you aren’t interested in your kids reading about how to find adult men online and then meet up with them in the real world, I can’t in good conscience recommend this book to you.

Mortedant’s Peril Review

Book: Mortedant’s Peril
Author: RJ Barker
Publisher: Tor Books
Year: 2026
Rating: 3.5 out of 5 stars

Synopsis : “In a city of ancient automata, strange spirits, and sleeping gods, a cleric of death is about to find his own life on the line…unless he can find his apprentice’s killer first. This thrilling fantasy murder mystery is the first in a perilous new series from the acclaimed author of The Bone Ships and Age of Assassins.”

Review : Mortedant’s Peril is a winding, twisting, murder mystery wrapped in a fantasy novel set in a strange world filled with blood magic, old gods, and strange lands across the sea. It follows a Mortedant, that is, a death worker whose job is to read the final thoughts of those who have passed, named Irody Hasp as he embarks on a quest to not only seek out his apprentice’s killer but to take vengeance on those who may have, in fact, killed his apprentice on accident while attempting to kill Hasp himself. Hasp embarks on the journey with the help of his apprentice’s young sister, Mirial, and his assigned bodyguard, Whisper, a sea person warrior with potentially royal family ties. What follows is a classic murder mystery with winding back roads, secret passageways, poison berries, death cults, and magical beings who seemingly control the city and, indeed, seem to control Hasp’s own fate.

Mortedant’s Peril gets off to a slow, so very slow, start. It was difficult for me to find my way into the world of Elbay, the city Hasp resides within, and even more difficult for me to wrap my head around all the different creatures, spirit forms, and even the way people are addressed within the world. It didn’t feel like a smooth dive into a new world and the world building felt a bit stunted. There were several instances where I found myself reading and rereading passages, trying to make sense of Barker’s descriptors, often times leaving things without an image in my mind. There’s a sweet spot with fantasy novels where the reader doesn’t have to work too hard to imagine what’s being introduced and this book missed the mark a bit in that regard. However, while a slow start, once I got into the meat of the novel, I found it hard to put down. If you can make it through the first hundred pages or so, you’ll be well into an enjoyable mystery.

While a fantasy first, this book is at it’s heart a mystery so I do want to tell you that I was able to solve the mystery – though, not the mechanics – long before the book reached it’s zenith. On top of that, Barker introduces the reader to so many different religious sects, cults, and names I found difficult to connect to, that the mechanics of how the murder took place and who exactly was involved felt hard for me to piece together in the end. It didn’t keep me from enjoying the reveal, but it did take something away from the experience.

I struggled a bit with the broader picture of what this book was ultimately about. At first, I believed this was a fantasy novel written to reveal to the reader the dangers of racism and an us vs them perspective, as Hasp, and truly so many people in this book, relies heavily on what I could only call racism (though, in this fantasy world we’re talking about the distinction between people of land vs people of sea, rather than people of differing skin colors) and it’s that very racism that made me recoil at the first bit of the book. The use of “it” as a pronoun is difficult to stomach, to say the least. But the anti-racist plotline doesn’t really pan out beyond Hasp’s subtle move from using “it” to “she” when referring to Whisper, though notably, not when he refers to other creatures. There’s also a strange “guns don’t kill people, people kill people” argument made toward the end of the book that didn’t sit well with me, either.

All in all, I enjoyed the overall plot of Mortedant’s Peril, I was able to figure out the mystery before the end of the book, and there are several questionable themes throughout the book that don’t resolve in a way that feels good. I found myself returning to the book over and over again to turn the pages and see how things would play out, so this was better than it wasn’t, but it was still not my favorite nor was it a truly successful fantasy book.

Advice : If you love fantasy, or dark and dystopian worlds, if you don’t mind doing extra work where world building lacks, and like the idea of a mystery fantasy novel, this will be a great read for you! If you don’t want to do the work, you might skip this one or check it out from your local library rather than buying it outright.

The Nature Embedded Mind Review

Book: The Nature Embedded Mind
Author: Julie Brams
Publisher: Changemakers Books
Year: 2025
Rating: 4 out of 5 stars

Synopsis :The Nature Embedded Mind explores some of the most vital questions our culture is facing, regarding the broken relationship between humans and nature. Our persistent and shared delusion that we are different from the rest of nature is at the heart of why we behave in ways that destroy our own habitat. Focusing on our personal and collective beliefs, The Nature Embedded Mind shows how we can begin healing the most important relationship we have, our relationship with Earth. These pages combine the latest scientific research, personal stories, and writing prompts that will allow you to expand your own thinking. Challenging Western psychology, this book aims to prioritize its offered repair as the new foundations for mental health and social wellness.”

Review : The Nature Embedded Mind, while written by a psychotherapist and geared toward therapists and allied professionals, is ultimately a book for everyone. You might think a book about letting our collective repair with that natural world expand outward into the repair necessary with other humans would be specifically for those who already feel a deep connection with the Earth, but realistically, the message of this book is for every person on this planet. That message is namely that if we can begin to reframe our human perception of the Earth and the other-than-human beings who live here with us as being less about hierarchy and more about coexistence with our siblings, we may very well be able to find ourselves in a place that is less caustic, less inflamed, and less ill.

Over the years I’ve read several books on the benefits of Forest Bathing and how one might go about participating in such an event. Brams has created a work that does more than delve into the positive impact Forest Bathing might have on a person’s psyche; she’s created a work that’s gathered scientific data around how we as humans interact with the natural world and how we not only gain benefits from it, but how we might benefit the world around us in a relationship of equal exchange. If you’re a fan of Robin Wall Kimmerer, not only will this concept not be new to you, it will likely be quite welcome to read. While not overt, Brams readily suggests a concept that will be familiar to anyone who’s studied yoga : we are the microcosm of the macrocosm. Meaning? What happens in the natural world is reflected within our own being and vice versa. Brams suggests that we’re experiencing a collective awakening and desire to return to something we may have only experienced in childhood, a freedom that comes from an unfettered connection to and collaboration with the world around us. When we stop viewing the world and the non-human life that exists within it as separate from ourselves, Brams says, we can start to experience the necessary perspective shift for a new way of life to unfold.

The Nature Embedded Mind reads like a both manual for reshaping and reframing our collective ideals about the natural world and an introduction into the world of Forest Therapy (Brams is certified by the Association of Nature and Forest Therapy, or ANFT, and regularly leads walks for those in her area). There are periodic writing and experiential prompts throughout the book that are geared toward gently shifting the reader’s mindset away from our standard collective idea that humans exist on a hierarchy outside of nature, somehow both separate from it and at the top of the pyramid within it. The prompts allow for playfulness and exploration, and paired with the way Brams speaks about nature, it’s a gentle shaking of the norms so that the reader has the freedom within a container to begin to safely consider how they think about and interact with the non-human world around them. Concluding with a prompt that comes directly from Nature Therapy, Brams has given the reader ample room to begin their own immersive journey into forest bathing techniques, or at minimum, to begin to explore the idea of what a deeper relationship with the Earth might look like outside of a modern, Western point of view.

I found this book to be incredibly necessary and timely. I’ve already recommended it to several friends : therapists, those in therapy, and other folks in allied professions that are doing the work on their own and beginning to question if the ways we interact with the world around us are truly serving our collective consciousness. I found Brams to be quite relatable as an author and enjoyed her perspective immensely. I expected as I dove into the book that I would already have a nature embedded mind, as I consider myself pretty connected to the planet, an outdoorsy kind of gal who views herself as part of nature rather than something disconnected from it, but Brams truly challenged my way of thinking and helped me turn some of my thought patterns around on their head. It’s easy to view humanity as the top of the food chain, sitting pleasantly at the top of a hierarchical caste of sorts, but the reality is that we live in tandem with the world around us, it’s completely intertwined and our own existence is reliant on the existence and persistence of the whole of the Earth. As we witness destruction on new and unparalleled levels each year, and seemingly worse each day, finding our way back to the understanding that we are no different than the other-than-human creatures who live on this planet feels imperative to the collective survival of, frankly, everyone and everything. If the soil is as similar to me as my own hand, wouldn’t I fight long and hard to keep the soil healthy? If I enjoy time in nature as I would time with a friend, wouldn’t I take the time to clean up some trash? To fight for legislation that keeps the body of Earth well? Wouldn’t I consider her my home rather than an object?

The Nature Embedded Mind is a quick read but it’s worth taking your time with. It explores the idea that we aren’t so different from the planet and that the planet isn’t so different from us. It’s a reminder that as humans we aren’t actually separate from nature at all, but truly part of nature just like everything else on this planet. And finally, it’s an invitation to explore ways in which you connect with the planet, inviting the reader to try their hand at simply existing with the planet, to forest bathe or to seek out forest therapy or to just sit and be connected with a friend (the Earth, her abundance, her creatures, and her cycles). It’s a necessary way forward. Perhaps it’s the only way forward.

Advice : If you experience the deep, unsettled feelings of doom connected to climate change, practice meditation, enjoy being in the woods or smelling flowers or watching bees flit from flower to flower, if you’re a therapist, a yoga or Ayurveda practitioner, an activist, or simply a human being navigating existence on a planet that feels daily more and more disconnected from your life, this book is truly for you. It’s a quick read but it’s packed full of insight and wisdom and filled with journal prompts and ideas for how you might connect more deeply with the world around you and ultimately reshape your understanding of the Earth and your relationship with it.

A Zoom With A View Review

Book: A Zoom with a View
Author: Jess Cannon
Publisher: Dutton
Year: 2026
Rating: 3.5 out of 5 stars

Synopsis : “Leo can’t believe she’s back in Blue Oak. Her small, quirky Texas hometown feels suffocating after trying to make it big as an English professor in New York – especially due to her strained relationship with her overly hair-sprayed mother, Karina. But with Leo’s career in academia in shambles, at least she’s able to work as a photographer for her godmother’s real estate business. And her best friend, Emily, is around to help her navigate through the mess – and maybe force her to reconnect with her old high school boyfriend, Mack.
But while at work, Leo makes a grisly discovery: the dead body of rival real estate agent and social media influencer Chaz. Even worse, Leo and Emily have been secretly running a snarky Reddit page making fun of Chaz’s cringe-inducing advice and duck-faced selfies. When someone Leo loves is accused of the murder, she finds herself flung headfirst into a dangerous investigation, teaming up with a local detective who grew up to be quite attractive. Meanwhile, Karina has been acting stranger and stranger, as if all her hair hides a big secret…”

Review : A Zoom with a View is a cute, sort of cozy, I-just-moved-back-home mystery I love. I extra love that it’s a mystery with a female protagonist who is neither drunk, nor having a mental break. It’s the perfect break from the (ugh) normalized unreliable female narrator trope. We need that. An entire genre of modern mystery books needs that. Jess Cannon has created a fun, hard to put down narrative of twists and turns and fun characters that feel like they stepped right out of your own lived hometown experience, and I genuinely enjoyed reading this book for all of those reasons.

Once I got into the meat of the novel, the plot was easy to follow and the mystery was fun to unravel. I did figure out whodunnit fairly early on, but I will say that the motive was unclear to me until close to the end of the book, so while you may be able to narrow it down early, it doesn’t necessarily take away from the plot. I won’t give the ending away for you, but I will tell you that I thought the villain would have a different motivation and felt the ending suffered a bit from a fairly reductive character. The final reveal felt semi-believable, but I wanted a little more depth than we were given. There’s still time, I think…

Cannon lost me early on, and I want to warn you, reader, that A Zoom with a View has an incredibly slow start and hasn’t been smoothed out in a way that felt easy to read. While it does get much better as you get into the meat of the book, the plot is a bit meta, if you’ll pardon the pun, and this is the real problem with Cannon’s rocky start. In attempting to lay the groundwork for her novel, Cannon has set herself up for some tricky narrative and it doesn’t seem to me that she’s entirely succeeded in making it something everyone will be able to follow. The main character, Leo, runs a snark subreddit centered around someone she went to high school with, Chaz, who as grown up to become a wellness influencer. Leo, and subsequently Cannon, spends a great deal of time explaining the subreddit, running through the cast of characters in Chaz’s universe, and laying out a lot of Chaz jargon. All of this feels true to life, but it’s not written in a way that brings ease to the reader. Snark subreddits aren’t new to me and I still found myself going back and rereading paragraphs, trying to wrap my head around what Cannon was attempting to describe. There’s a sweet spot you find in books where the words flow and the narrative unfurls in your mind and you don’t have to do much work as a reader, and it isn’t really until about halfway through the book that I found that sweet spot here. The first good bit requires you to work for it, and that’s hard for me to argue for. I don’t think it’s necessarily due to the content, though it’s not an easy task to describe a subreddit and an entirely made-up world, but fantasy writers world build all the time. Sometimes it reads easily and sometimes it doesn’t. This was the latter.

Once I got into the swing of things and found the rhythm of A Zoom with a View, I found myself really enjoying how things were unfolding. Like I said, I had the mystery solved pretty early on, but I enjoyed going with Leo to interview each character, seeing how things were happening in Blue Oak and in the broader Chaz snark subreddit world, and seeing my own suspicions confirmed. What really let me down, though, was the ending. I’ve found myself frustrated in recent years by suspense and mystery books that spend 90% of the novel building up to a climax, revealing the villain, and then wrapping the whole book up in the last couple of pages and unfortunately, that’s exactly what A Zoom with a View has done. It’s only in the final few pages of a pretty hefty book that we finally find out the truth behind Leo’s Mom’s secrets and as soon as we learn her secrets, the book ends. It’s a gnarly cliffhanger, if it actually is a cliffhanger. I can’t find any information online about whether this is the first of a series or at least the first of two books and the ending is so nebulous, yet still ties everything up, that I have no idea if it was meant to leave me feeling confused or it was an intentional set-up for the next book. I have to hope it’s a set-up, and I would surely read book two if there were to ever be a sequel, but it felt disjointed and rushed. The ending unraveled fast. I wanted more. So much more. I think much of what I found off-putting about this book would be a non-issue in a sequel now that the groundwork has been done. Ultimately, Cannon is an enjoyable writer who’s created an enjoyable universe and I have questions I’d like to see answered in a second book. Sign me up.

Advice : If you like a well-written mystery that doesn’t feature an unreliable female narrator, I think you should stick out the slow start and give this book a chance! It was fun and enjoyable and once I got into it I found myself swiftly turning the pages. It’s worth the read.

The Pursued Review

Book: The Pursued
Author: Corey Mead
Publisher: Little A
Year: 2025
Rating: 4 out of 5 stars

Synopsis : “From 1977 to 1981, Ruth Finley, an ordinary wife and mother from Kansas, was tormented by an elusive maniac known as the Poet. The police, already on edge from BTK’s reign of terror, spent years searching for the stalker. Meanwhile, his cryptic letters in rhymed verse grew more disturbing and violent, spilling into deeds like stabbing and kidnapping.
In this propulsive nonfiction account, as Ruth is surveilled from all sides, her nightmare takes a chilling turn: The stalker is no stranger at all. It’s someone the police have been close to for years, someone nearer to home than Ruth dared to admit. The revelation recasts what seemed like a cruel twist of fate as something far more disturbing.”

Review : The Pursued is, at times, a dry yet compelling nonfiction read about a serial stalker I hadn’t previously heard of. While the writing and narrative are what one might expect from a true crime rendering – that is to say, dry – the actual incidents themselves and the deeply disturbing nature of the crime left me turning pages, unwilling to put the book down until the conclusion. I finished this book in about 72 hours, and despite the dry nature of it, The Pursued is certainly what I would call unputdownable. Mead has done a good job of creating doubt, of shedding just enough light on the narrative to keep you guessing and questioning right along with the police as they attempt to understand the Poet’s motivation.

The Pursued details several years in which a woman, Ruth Finley, is stalked, tormented, and even kidnapped by a man known only as “The Poet”. It’s a winding tale of uncertainty, fear, and doubt as the police surveil Ruth’s home, neighborhood, and work for years attempting to find the Poet and bring him to justice. The actual events of the case are so absurd and strange, at times there seems to even be suspicion that The Poet and BTK might be the same person. Mead has created a narrative in which the reader cannot possibly see the end result of the investigation until one has completely finished the book – and even then, I find there are still holes in the conclusion that don’t quite add up for me. It’s a strange case and I suspect an even stranger case to have written about. I think Mead did a good job of remaining objective throughout the retelling, something that would be easy to divorce oneself from, particularly if you already knew the conclusion at the outset of writing the book. I do wish there’d been a bit more humanity in the retelling, however, perhaps some interviews with people close to the story, something to assure me that we’re doing more than craning our necks to look at someone else’s dirty laundry for the sake of entertainment – but that’s all true crime, isn’t it?

*** Spoiler’s Ahead ***

I want to tell you, however, that I had trouble sleeping once I’d finished this book, and had I known what the outcome was going to be, I likely wouldn’t have picked it up in the first place. It’s impossible to read this book in the way it was meant to be written and simultaneously know how the case concluded, but The Pursued desperately needs to come with content warnings. I won’t be giving the ending away by telling you these details, but I do want you to know that this information does contain some level of spoiler, so please be warned. If you choose to read this book, you must know that The Pursued discusses sexual assault of an adult, sexual assault of a minor, pedophilia, endangerment of a child, discussion of bodily fluids, kidnapping, physical assault, and mental illnesses. Anyone reading this book should go in knowing that the end is gruesome and horrific and sheds a light on outright evil. It’s not for the faint of heart and should be approached with extreme caution.

Advice : If you have a thick skin and a stomach of steel and you live for true crime and nothing really bothers you, then you will likely really enjoy this book. If you’re a softy, like me, or find real cruelty to be difficult to stomach or you have PTSD, I really highly suggest that you don’t read this book, or find some spoilers and decide for yourself if this will be a safe book for you.

The Last Resort Review

Book: The Last Resort
Author: Erin Entrada Kelly
Publisher: Scholastic Press
Year: 2025
Rating: 4 out of 5 stars

Synopsis : “Just before her Grandpa Clem’s funeral, twelve-year-old Lila makes a shocking discovery. He didn’t die of natural causes – he was murdered. Possibly by someone who wanted to control his inn…and its secret portal to the afterlife. Now, a girl who’s vowed to become “less dramatic” must uncover her grandpa’s killer AND stop the ghosts desperate to make it back to our world.”

Review : The Last Resort is a super fun and enjoyable mid-grade read (grades 3-7) about the power of friendship, family, and finding places where you can be yourself. Lila, a twelve year old whose so-called best friends have described as “too much” and “overly dramatic” and, worst of all, “immature”, is ready for summer vacation so she can work on being as calm as a rock, as cool as ice, and as mature as her two besties think they are as they all head toward seventh grade next year. Her friends have stopped hanging out with her and have begun to hang out without her, she doesn’t have much time to regain their friendships. So when a relative she’s never met, Grandpa Clem, passes away unexpectedly and her family decides to travel out of state for his funeral, Lila is distraught. With the backdrop of frenemies / bullies who find Lila to be too much, we delve into Grandpa Clem’s world of ghosts, crystals, and portals to the world beyond the veil – a less than perfect scenario for a pre-teen who’s trying to be a lot less.

I thoroughly enjoyed this book, it was cute and fun and had some twists and turns that, while I saw coming, didn’t fully take shape until they’d arrived. It doesn’t talk down to the reader or assume the reader’s too young to understand new concepts and it presents unknowns and uncertainties in a way that makes it a true learning experience. I’m always pleased to find a middle grade read that doesn’t feel incredibly dumbed down for a kid to read and The Last Resort really held up. It did include some scary imagery, so I think this might be a proceed with caution book if you or your reader are a bit antsy when it comes to large spiders, the idea of death, or ghostly apparitions – but all in all I found it to be a safe and spooky walk on the paranormal side, perfect for fall! In the finished copy of the book, there will be ghostly illustrations who will come to life on the page via a QR code, which is such a fun addition to an already ghostly book, I think it’ll help bring the book to life in a way that’ll keep the reader thinking about it for a while.

While at Grandpa Clem’s inn, Lila meets a neighbor who’s her age, a boy named Teddy. It’s through Teddy’s friendship that Lila finds her place with someone who doesn’t view her as too much, who lets her be exactly who she is, and who doesn’t dismiss her as being an overly dramatic person. It’s an important lesson without being preachy, that bullies have no place in our lives, and that shrinking ourselves down to fit into the box of other people’s expectations makes us a shell of ourselves. In a world where even adults struggle with this concept, and even the concept of not being bullies to other adults, I found this messaging to be a refreshing change of pace from what we see day-to-day. Ultimately, Lila’s friendships are the cornerstone for this book, not the ghosts!

Finally, I gave this book 4 stars rather than 5 because I felt the ending was too abrupt and lacked the closure I wanted from it. It didn’t need to be drawn out or even significantly longer than it already is, but it would have benefitted from a little more than it received. I think the door was left open for further books down the road, and I’m not ashamed to tell you that this adult will absolutely be reading whatever Kelly comes up with next if she decides to continue this book into a series!

Advice : If you have enjoyed any iterations of Disney’s Haunted Mansion (including the ride), I think you’d enjoy The Last Resort! As advised above, if you or your reader have any squeamishness around spiders, near death experiences, dogs, crows, the threat of death, or ghosts, this might be one you approach cautiously. I think it’s the perfect amount of spooky and calm – a great way to dip the toes into a paranormal subject without diving in head first and scaring the bajeesus out of yourself.

Undead and Unwed Review

Book: Undead and Unwed
Author: Sam Tschida
Publisher: Quirk Books
Year: 2025
Rating: 1.5 out of 5 stars

Synopsis : “Tiffenie may be three hundred years old, but she’s still a hot mess. The vampire is tragically single, works a dead-end job at a blood bank, and spends her nights marathoning Hallmark Channel moves with her cat.
When Tiffenie inherits a fixer-upper home in Valentine, Vermont, thanks to a case of mistaken (okay, stolen!) identity, she seizes the chance to get her life back on track. With her newly undead neighbor (it was an accident!) in tow, Tiffenie is determined to live out her holiday rom-com dreams in this picture-perfect town.
But between the mystery of her stolen identity, small-town drama, and the arrival of her insufferable vampire ex-boyfriend Vlad, getting her happily ever after with a smoking-hot Christmas tree farmer won’t be easy. Tiffenie must embark on a journey of self-acceptance – with the help of a few therapy sessions – for the first time in her immortal life.”

Review : Over the last few years of writing ARC reviews, I believe I’ve only given two other books a star rating lower than 2. I give a truly low review only when it feels absolutely necessary – sparingly, you might even say. While my reviews are always honest and truthful and they may be, at times, scathing, I’m always hesitant to give someone a low rating for something they’ve crafted. It feels deeply embarrassing to me that Undead and Unwed has garnered as high a review as 3.5 stars on GoodReads, which is really all I need to say when I tell you that I do not use or read GoodReads reviews. Having read over 100 advanced reader copies (sorry, only 90 of those have made it here), I can honestly tell you that I have never received an advanced copy as unfinished and unpolished as this book was. It’s not a surprise to find small errors in an advanced copy, some grammatical mistakes, misspellings, an unfinished sentence here or there – it is a surprise to find a book with so many glaring mistakes as Undead and Unwed, and to be completely frank, that’s not even what scored this book 1.5 stars for me. It’s just part of the chaos and nonsense of the entire experience.

This is the first time I’ve wanted to say this : I read Undead and Unwed so you don’t have to. Please. Take my word for it. You don’t have to put yourself through this. The most frustrating aspect of this entire journey through such an incredibly poorly written book and nearly unreadable premise is that I actually liked the initial idea behind the plot. It could have been so much better, it could have been something readable. Execution, however, has failed. We find Tiffenie, a 300 year old vampire, living and working in L.A. at a blood bank – okay, expected, at least to some degree. She’s depressed, doesn’t know how to stand up for herself, and has little will to live beyond caring for her cat, Cat. We learn fairly early on that for a vampire to continue to exist in the world in any kind of feasible manner, they need to take on someone else’s identity in order to rent an apartment or buy a car or work a job – you know, they need a social security number and a real life name. Tiffenie is currently living under the stolen / bought name Tiffany Amanda Blair, an identity she purchased via the “black market” (I’m using quotes here as there’s no real explanation for this and it’s glossed over, so one can really only assume). When she receives a letter in the mail informing her of an inheritance in her namesake’s hometown of Valentine, Vermont, she hops in a hearse (yes, really) and heads out of town. Of course, I’m glossing over a lot of the minutiae here, but this is how things unfold : girl assumes identity, girl receives inheritance meant for the person whose identity she assumed, girl moves to claim the inheritance. Meanwhile, Tiffenie has accidentally drained her neighbor within an inch of her life and is forced to turn her into a vampire and take her on the road to Vermont because…well, just because. There are so many instances where things happen in the book without a good reason, the reader is forced to go along with what’s happening just for funzies because Tschida said so and it makes for poor storytelling.

Evidently, it’s been just ten years since the real Tiffany has moved away from her hometown of Valentine, yet even though Valentine is a tiny, rural town and Tiffany lived there for her entire life as a child and adult, ten years is somehow enough for Tiffenie to show up as a totally different person under the assumed identity of Tiffany and pass for this other person with an entire backstory and history in the town. And no-one blinks an eye. This was the first (of many) glaring issues I took with Undead and Unwed, as an assumed identity does not mean you also look like the person whose identity you stole! We only get a small explanation by way of Tiffenie dying her hair blonde because Tiffany was also a blonde. Yes, you read that correctly. In all other accounts, everyone Tiffenie runs into, be they old flames, friends from high school, or people who knew her family, all really, truly believe that Tiffenie is actually Tiffany. It is as asinine as it sounds. Next, we encounter the trouble with Tiffenie’s bank account – namely, she was dirt poor in L.A., working a job for peanuts, somehow living alone, and yet when she moves to Vermont without a job, she has enough money to start paying thousand dollar fines for living in a condemned building. There’s no explanation for this change in circumstances beyond the inheritance of a condemned property. There hasn’t been some grand windfall, no change in her lifestyle, only that she’s gone from L.A. to Vermont.

If this isn’t enough, Tiffenie is written just as the synopsis describes, as a hot mess. She’s flaky, irresponsible, somehow and for some unknown and never fleshed-out reason, she’s obsessed with not drinking blood, and she has a shopping problem. I don’t love this characterization, but I can get on board with it if it’s how she’s written, unfortunately, Tschida goes back and forth between our modern-day Tiffenie and the Tiffenie of the past who had children, knew how to bake for her family, and lived a real life with big ideas and plans. It’s a stark contrast and the jumping back and forth between these two versions of the self is stilted, as though Tschida threw them in at random without any planning or thought. Further, the conversations are so choppy and robotic, they’re nearly impossible to read. When it comes to story writing, Tschida has landed so far from the mark it’s almost laughable. There are so many instances where someone’s speaking and the only response will be “Yes.” that it became impossible to read with any semblance of seriousness. At one point I actively questioned whether this book was even written or whether it was dictated based on the glaring errors staring back at me from the page. There were multiple instances throughout where the paragraph was re-written but the original was never taken out, so I was presented with multiple directions in which this ARC might go, unsure of which would eventually be chosen for the final copy, and one instance where an entire paragraph was broke up with bullet points. These kinds of errors are not commonplace in an advanced copy, they’re sloppy and lazy and do the author a tremendous disservice – in this instance, Tschida needed all the help she could get and her publishing house did her dirty.

Undead and Unwed is an unreadable mess. I can only hope that by the time it’s actually ready for print it will look dramatically different than it does in it’s advanced copy form, but from my experience this is rarely the case. I suspect this book will be slightly more readable, but I don’t believe it will have improved by much at that point. The concept of a Hallmark Channel-ish story where a vampire moves to Vermont and restores a property, finds a chosen family, and eventually love is actually such a cute idea and I’m actively upset that this book ended up being as poorly written as it was. It needs a significant amount of work, perhaps it would even be worth scrapping the whole thing and starting over, or maybe it would be better to never have started in the first place.

Advice : Don’t. Just, don’t. Don’t fall for the 3.5 GoodReads score. Don’t spend your money. If you really feel drawn to this book, request it at your local library and save your money for something else.

The Housekeeper’s Secret Review

Book: The Housekeeper’s Secret
Author: Sandra Schnakenburg
Publisher: She Writes Press
Year: 2025
Rating: 3.5 out of 5 stars

Synopsis : “A catholic family in 1960s Chicago headed by a narcissistic and demanding father takes on Lee, a housekeeper with a mysterious past. Lee becomes like a second mother to the Krilich children, especially Sandy. After Lee’s death, Sandy begins a determined quest to find out her dear friend’s backstory – and proceeds to uncover one shocking fact after another, even as the story of her own family drama, and the heartwarming role Lee played in the Krilich’s lives, unfolds.”

Review : While this book’s title and synopsis might lead you to believe the entirety of the novel will be spent uncovering a housekeeper’s secret(s), the truth is only about 20% of the book was spent actually delving into Lee’s past. While I don’t particularly think the information Schnakenburg was able to gather about Lee, her beloved housekeeper, is broad enough to fill an entire book, I do find it hard to wrap my head around how little of the book was actually devoted to Lee’s life and how much of it was devoted instead to our writer. I don’t find this problematic as far as storytelling goes, Schnakenburg, nee Krilich, had an extraordinary childhood filled with trauma, neglect, abuse, and a near fatal accident – but the title of the book is The Housekeeper’s Secret and we didn’t begin to dive into Lee’s secret until the book was nearly over. The title and the content didn’t match up.

Like I said, though, I found the story of Schnakenburg’s upbringing to be enough to keep me turning pages, wanting to know how things would evolve in the lives of Sandy’s family members, forced to endure a grueling childhood with a demanding and demeaning father with a roiling anger problem and no regard for the wellbeing of anyone in his path. I found Schnakenburg’s portrayal of her father to be quite interesting – in fact, I believe her storytelling of his abuse throughout her childhood to be far too lenient and more forgiving than I would hope. We spend, as I mentioned, about 80% of The Housekeeper’s Secret growing up with Sandy in a hellish nightmare world of a home, growing with her from the time she’s no more than a toddler until she’s an adult with children of her own. It’s throughout this memoir-like progression that we come to find Sandy’s relationship with her father, and the relationship he shares with her 5 additional siblings and mother, is strained at best. He is, to put it bluntly, a menace. Demanding 7 different types of juice each morning, forcing Schnakenburg’s mother into situations that endanger her life (more than once), forcing a six-year-old to utilize hedge-trimmers with zero supervision, and having a second family are only some of the stories we read in this book – it is well and truly a nightmare. And yet, Schakenburg attempts to humanize her father, explaining that he suffered the loss of a childhood friend in a drowning accident, as if this singular trauma might explain the evil that he unleashed upon his family; it’s particularly glaring when you consider that Schakenburg’s mother suffered from a terrible fear of drowning, so much so that she never learned to swim, and her husband forced her onto multiple boating trips, one in which the threat of drowning was quite real when their boat suffered damage and began to take on water.

*Spoilers Ahead*

When we do finally make our way to Lee’s story, a story she told the children for years she wanted to write (but spent no time actually writing down, nor telling to anyone to transcribe), the story we end up with is one of tremendous tragedy, horror, and loss. It is hard to endure, yet necessary to read. Lee, a Black woman growing up in the 1940s, was brutally attacked, beaten, and sexually assaulted by multiple men while walking to the bus after work. She was left for dead. Because it was winter and there was snow on the ground, she managed to survive the night, but suffered incredibly bodily damage as well as a traumatic brain injury. Being unable to fully recover and in a family that was enduring their own physical ailments and diagnoses, Lee was sent to a sanatorium for care. While there’s significantly more to Lee’s story, I’d like to leave it here and encourage you to read this book if for no other reason than the necessity of hearing a story like Lee’s – a story that deserves to be heard and told. The history of women’s medical treatment is one we should never take lightly, especially as we find ourselves simply not all that far removed from the most egregious “treatment” and experiments performed – often for diagnoses that are now easily managed with medication, therapy, and simple kindness. Women of color, even more so.

I sobbed through Lee’s story, wishing so much that there was more information available, that we could see retribution for the actions of the men in her life who treated her with such unimaginable disregard, wishing Schnakenburg could have dug up and revealed names so we might know them for who they were. It’s the human response, I believe, to reading a story like Lee’s. You want to see justice done, you want to see more come from it than 20% of a book about an abusive father, you just want more. I think it’s commendable that Schnakenburg took up the mantle of this task, but I wish there was less about Schnakenburg herself (perhaps saving it for a separate memoir) and more about Lee. As we meet Lee’s children toward the end of the book, Schnakenburg and her siblings share stories about Lee that were never mentioned at any other point in the book and I can’t help but think this book would have better served Lee’s memory had it included more stories of Lee’s life, even on where she was an employee of a family that was not her own. Schnakenburg dips her toes into the realm of white saviorism at the end, when she learns one of Lee’s children fell victim to the system as an orphaned child born in a sanatorium, suggesting that this child would have been better off in Schnakenburg’s home where her horrifically abusive father ruled with an iron fist of unpredictability. In fairness, I think her intentions were noble in this moment, believing the child would have been better off with Lee, and I agree, but again, I feel she’s been far too forgiving of her father and a bit short sighted, considering how deeply she had previously detailed his abuses. There were moments that left me gasping for air for the sheer horror of it all, moments where I sobbed, and moments where I cringed. Lee’s story is a tragedy that deserves to be heard.

Advice : It’s worth noting that if you choose to read this book it does speak about verbal abuse, emotional abuse, manipulation, gang rape, power dynamics, torture, water torture, sexual assault, traumatic brain injury, a car accident / bicycle accident, and drowning. This book is not for the faint of heart, but if you’re a woman I think it’s a deeply important and impactful story to read.