A Zoom With A View Review

Book: A Zoom with a View
Author: Jess Cannon
Publisher: Dutton
Year: 2026
Rating: 3.5 out of 5 stars

Synopsis : “Leo can’t believe she’s back in Blue Oak. Her small, quirky Texas hometown feels suffocating after trying to make it big as an English professor in New York – especially due to her strained relationship with her overly hair-sprayed mother, Karina. But with Leo’s career in academia in shambles, at least she’s able to work as a photographer for her godmother’s real estate business. And her best friend, Emily, is around to help her navigate through the mess – and maybe force her to reconnect with her old high school boyfriend, Mack.
But while at work, Leo makes a grisly discovery: the dead body of rival real estate agent and social media influencer Chaz. Even worse, Leo and Emily have been secretly running a snarky Reddit page making fun of Chaz’s cringe-inducing advice and duck-faced selfies. When someone Leo loves is accused of the murder, she finds herself flung headfirst into a dangerous investigation, teaming up with a local detective who grew up to be quite attractive. Meanwhile, Karina has been acting stranger and stranger, as if all her hair hides a big secret…”

Review : A Zoom with a View is a cute, sort of cozy, I-just-moved-back-home mystery I love. I extra love that it’s a mystery with a female protagonist who is neither drunk, nor having a mental break. It’s the perfect break from the (ugh) normalized unreliable female narrator trope. We need that. An entire genre of modern mystery books needs that. Jess Cannon has created a fun, hard to put down narrative of twists and turns and fun characters that feel like they stepped right out of your own lived hometown experience, and I genuinely enjoyed reading this book for all of those reasons.

Once I got into the meat of the novel, the plot was easy to follow and the mystery was fun to unravel. I did figure out whodunnit fairly early on, but I will say that the motive was unclear to me until close to the end of the book, so while you may be able to narrow it down early, it doesn’t necessarily take away from the plot. I won’t give the ending away for you, but I will tell you that I thought the villain would have a different motivation and felt the ending suffered a bit from a fairly reductive character. The final reveal felt semi-believable, but I wanted a little more depth than we were given. There’s still time, I think…

Cannon lost me early on, and I want to warn you, reader, that A Zoom with a View has an incredibly slow start and hasn’t been smoothed out in a way that felt easy to read. While it does get much better as you get into the meat of the book, the plot is a bit meta, if you’ll pardon the pun, and this is the real problem with Cannon’s rocky start. In attempting to lay the groundwork for her novel, Cannon has set herself up for some tricky narrative and it doesn’t seem to me that she’s entirely succeeded in making it something everyone will be able to follow. The main character, Leo, runs a snark subreddit centered around someone she went to high school with, Chaz, who as grown up to become a wellness influencer. Leo, and subsequently Cannon, spends a great deal of time explaining the subreddit, running through the cast of characters in Chaz’s universe, and laying out a lot of Chaz jargon. All of this feels true to life, but it’s not written in a way that brings ease to the reader. Snark subreddits aren’t new to me and I still found myself going back and rereading paragraphs, trying to wrap my head around what Cannon was attempting to describe. There’s a sweet spot you find in books where the words flow and the narrative unfurls in your mind and you don’t have to do much work as a reader, and it isn’t really until about halfway through the book that I found that sweet spot here. The first good bit requires you to work for it, and that’s hard for me to argue for. I don’t think it’s necessarily due to the content, though it’s not an easy task to describe a subreddit and an entirely made-up world, but fantasy writers world build all the time. Sometimes it reads easily and sometimes it doesn’t. This was the latter.

Once I got into the swing of things and found the rhythm of A Zoom with a View, I found myself really enjoying how things were unfolding. Like I said, I had the mystery solved pretty early on, but I enjoyed going with Leo to interview each character, seeing how things were happening in Blue Oak and in the broader Chaz snark subreddit world, and seeing my own suspicions confirmed. What really let me down, though, was the ending. I’ve found myself frustrated in recent years by suspense and mystery books that spend 90% of the novel building up to a climax, revealing the villain, and then wrapping the whole book up in the last couple of pages and unfortunately, that’s exactly what A Zoom with a View has done. It’s only in the final few pages of a pretty hefty book that we finally find out the truth behind Leo’s Mom’s secrets and as soon as we learn her secrets, the book ends. It’s a gnarly cliffhanger, if it actually is a cliffhanger. I can’t find any information online about whether this is the first of a series or at least the first of two books and the ending is so nebulous, yet still ties everything up, that I have no idea if it was meant to leave me feeling confused or it was an intentional set-up for the next book. I have to hope it’s a set-up, and I would surely read book two if there were to ever be a sequel, but it felt disjointed and rushed. The ending unraveled fast. I wanted more. So much more. I think much of what I found off-putting about this book would be a non-issue in a sequel now that the groundwork has been done. Ultimately, Cannon is an enjoyable writer who’s created an enjoyable universe and I have questions I’d like to see answered in a second book. Sign me up.

Advice : If you like a well-written mystery that doesn’t feature an unreliable female narrator, I think you should stick out the slow start and give this book a chance! It was fun and enjoyable and once I got into it I found myself swiftly turning the pages. It’s worth the read.

Five Found Dead Review

Book: Five Found Dead
Author: Sulari Gentill
Publisher: Sourcebooks
Year: 2025
Rating: 3.5 out of 5 stars

Synopsis : “Crime fiction author Joe Penvale has won the most brutal battle of his life. Now that he has finished his intense medical treatment, he and his twin sister, Meredith, are boarding the glorious Orient Express in Paris, hoping for some much-needed rest and rejuvenation. Meredith also hopes that the literary ghosts on the train will nudge Joe’s muse awake and he’ll be inspired to write again. And he is; after their first eventing spent getting to know some of their fellow travelers, Joe pulls out his laptop and opens a new document. Seems like this trip is just what the doctor ordered…
And then some. The next morning, Joe and Meredith are shocked to witness that the cabin net door has become a crime scene, bathed in blood but with no body in sight. The pari soon find themselves caught up in an Agathy Cirstie-esque murder investigation. Without any help from the authorities and with the victim still not found, Joe and Meredith are asked to join a group of fellow passengers with law enforcement backgrounds to look into the mysterious disappearance of the man in Cabin 16G. But when the steward guarding the crime scene is murdered, it marks the beginning of a killing spree that leaves five found dead – and one still missing. Now Joe and Meredith must fight once again to preserve their newfound future and to catch a cunning killer before they reach the end of the line.”

Review : It takes a certain level of gumption to write a new take on a famously done murder mystery, possibly none as more culturally known as Murder on the Orient Express, and while I enjoyed much of Five Found Dead, it simply did not live up to Agatha Christie’s famous work. Gentill, to her credit, does much work to lay a foundation wherein her novel would not simply be a retelling, but a fairly meta mystery involving an author, a couple podcasters, and a whole host of law enforcement attempting to sold a crime all while existing within a world in which Murder on the Orient Express might cloud ones perspective of such an incident. It is from this perspective that the entirety of the book ultimately begins to unravel – there are far too many characters, at least a few of whom we rarely interact with; far too much extraneous story-telling happening, some of which does seem to be an attempt at red herring; and far too many details to make this a succinct murder mystery, or really anything that might ever stand up to Christie’s work. And while I think it might be a bit unfair to compare Five Found Dead with Murder on the Orient Express, it’s also exactly what one asks to be done when writing a book about a murder (nay, murders) upon the very Orient Express Christie herself wrote about.

Joe Penvale, a famous murder mystery writer, has undergone an intense period of cancer treatment and upon finding himself in remission, has taken himself and his sister on the trip of a lifetime : a train ride on the famous Orient Express. Gentill managed to set a perfectly cozy scene aboard the train, and after reading her acknowledgments I can clearly understand why, for she herself endured medical treatments and a ride upon the Orient Express. Her understanding of what sets a cozy scene does feel perfectly in line with what I’d like in a murder mystery, even what I’d like within a locked door mystery, but beyond this scene setting, I found the gross majority of the book to be a conundrum. To begin, while Joe and Meredith are twin siblings with a shared family trauma, I found their relationship to be odd and uncomfortable at times. I’m not sure if they were mirrored after a family relationship Gentill has or if they were simply conjured out of thin air, but I did not find believability within their world in the least. If we can look past the strangeness of their written relationship, we find ourselves enmeshed within a world where Covid still has a grip – I was unable to determine during what time frame this story was set and we are given no clues beyond the fact that Covid is still creating new variants. Is there a new variant ravaging the world? Perhaps this was set a few years ago? Or even 2020? It’s unclear and the answer is never given. ***Any further reading will reveal SPOILERS AHEAD*** There is an entire subplot in which we find several passengers have tested positive for a new and deadly variant, a small detour I believe Christie would have used in her own writing, but nonetheless, without more details I found it to be added confusion in a story that is already more confusing than I necessarily agree with.

Upon awakening after their first night aboard the train, Joe and Meredith find that the man in the cabin next to theirs has been murdered or has at least gone missing. What follows is a strange and chaotic 24-48 hours whereby multiple passengers test positive for Covid, five people are murdered, and at we discover that at least seven of the passengers aboard are members of varying international police forces. We encounter so many needless characters that it quickly begins to feel superfluous and needlessly confusing – I suspect in part at least to mimic Christie’s work, but it simply doesn’t play out in a way that lends any ease to the reader. There are so many side trails and intentional red herrings that by the time we do finally unmask our criminal(s) it feels strange, tangled, and frustrating (which, to my mind, is the exact opposite of what you want from a murder mystery reveal). I will say, I was able to determine fairly easily who the man in the cabin next to the Penvale’s actually was, though this does not mean I was able to determine who the killer was. I warned you, here be spoilers. While I won’t reveal the exact nature of the crimes and perpetrators, I will tell you that in the end, it was anticlimactic and disappointing to find the truth. Not to mention, the final chapter reveals an entire podcast episode whereby Gentill undoes much of the convoluted work she’d laid out for us, creating further confusion and disappointment in the ending. I did not find myself pleased with the end result.

Gentill has managed to create a cozy atmosphere aboard the Orient Express, allowing the reader to feel, truly, as if they were on board themselves. Beyond that, however, I found the work to be needlessly convoluted and had to return to past pages to reread sections that didn’t make much sense. It wasn’t exactly what I was hoping for. The ending left much to be desired, the second ending even more so, and with a cast of characters limited to those aboard a train, I suspect many readers will be able to sniff out at least one of our criminal elements prior to the “big reveal”. To her credit, Gentill, unlike Christie, has given the reader enough breadcrumbs to figure things out on their own (for the most part) and, even if I didn’t agree with how it all turned out, I do enjoy that aspect of things. All in all, it was fine, I felt cozy, but it wasn’t deeply satisfying or even tremendously challenging. Take that how you will.

Advice : You may find this to be a worthwhile and perhaps even enjoyable read if you love the genre and consume anything you can within it. However, I suspect you will be comparing it to Christie’s works along the way and in that respect, you may not enjoy it at all. It’s 50/50 – maybe check it out from the library before committing to buying. Happy sleuthing!