Camp Damascus Review

Book: Camp Damascus
Author: Chuck Tingle
Publisher: Nightmare
Year: 2023
Rating: 2.5 out of 5 stars

Synopsis : “Welcome to Everton, Montana: home to a God-fearing community with a heart of gold.

Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy.”

Review : I’ve been a little hesitant to review Camp Damascus because, well, I didn’t like it very much. Structurally, I couldn’t find much fault with it, even for a review copy. There were few errors and the narrative flowed well enough, at least for a middle grade read, which I don’t necessarily find this to be, but it was written that way, so it appears it may be. I’ve struggled with how to review this book knowing that it isn’t bad, but also feeling strongly that it doesn’t move the cultural narrative forward or do any work to provide any kind of cultural healing. Maybe that’s too much to put onto a book, frankly it’s what’s kept me from being able to concisely put my words onto the page, maybe I’m asking too much of a book like this. But Tingle himself said something in the note to the reader that makes me think that maybe it isn’t too much, maybe it’s just enough : “Currently, there are conversion therapy camps working hard to strip the personalities and inner truths from thousands of queer youths. These camps see one’s identity as something that can be ground down and chiseled away, creating a new and improved version of something that was never broken to being with. This barbaric attempt to crush the glorious reality of young LGBTQ people needs to end. It’s my hope that Camp Damascus can be a voice in the choir of artists and writers standing up to shout “no more”.”

Camp Damascus follows a 20-year-old autistic girl named Rose as she begins to unravel her known reality, living within the confines of a small town whose population largely attends church who hosts what’s known as the nation’s most effective conversion camp, boasting a 100% success rate. Early on, Rose notes that the commercials for Camp Damascus don’t have a need to hire actors because of their extremely high success rate, however no one that she knows who she’s spotted in the commercials have any recollection of having ever being participants at Camp Damascus. Tingle weaves a web of confusion and strangeness right out of the gate, creating a book that is immediately a horror novel, with Rose vomiting up piles of strange mayfly type bugs, witnessing a horrifying visage anytime she begins to feel anything that may resemble same-sex attraction (though this connection isn’t made clear to Rose until part-way through the book), and some bizarre breaks in reality where she remembers things as being other than they are.

Rose begins to tug at the thread of strangeness, unraveling the world around her, and in doing so she begins to lose her faith. As the object of her affection is murdered by what she grows to learn is a demon and her reality becomes more and more skewed, Camp Damascus becomes more and more of a supernatural horror / thriller. Rose grows to learn that she was, in fact, a former conversion therapy camp attendee, having had a previous relationship with another girl named Willow, but having little to no recollection of the relationship and absolutely no memory of attending the camp. Because she’s driven by the need to know more and more information, to structure her world into a way that makes sense, Rose is able to begin to parse what’s happening and methodically works her way through people who’ve been to Camp Damascus before, hoping to understand why they’re all witnessing demons and barfing up flies. Rose finds solace in a friend from camp (though she doesn’t remember him), Saul, and together they plot to take down Camp Damascus and help save those who’ve been through the program and have subsequently lost their memories and found themselves tethered to a demon.

The point of the demonic tethering in Camp Damascus is to bring about something truly terrifying and out of alignment with reality anytime the tethered human experiences any form of same-sex attraction, pushing them to avoid the feeling or avoid the person who has lead them to “sin”. While the concept is true of conversion therapy, the execution is obviously made-up, but it is in this execution that I find the biggest flaws with the book. Tingle is attempting to draw a parallel to the fear that Christianity uses to convert, “fire insurance” if you will, by using literal demons in his book as a means of fear based conversion. In Rose’s research, though, she’s able to determine that the Demons are real beings from another, perhaps alternate, world. They can walk through walls and disappear at will, but they are flesh and blood like people. She gets a glimpse at real deal hell, as well, and is able to see exactly how the demons torture humans who sin. It’s here that I take the most issue. Rose loses her faith because she finds what the church is doing to be completely out of alignment with the idea of love and salvation, but the prospect of real hell continues to exist for her. I think by continuing to draw lines to the idea of fear through hell being a real place really does a disservice to what Tingle and other authors are clearly trying to do. If Christians are using fear to convert and fear to turn anyone who identifies as other into their perfect idea of a “sinless” human, then Tingle is no different by (spoilers ahead) having the demons drag bigoted church members to literal hell in the end of the book.

While I believe Tingle is making a point to show that being gay isn’t a sin, by allowing for hell to be a real place and for the demons to really be torturing humans who sin, his work no longer moves the cultural narrative forward. I believe that Tingle’s book comes from a place of anger, and rightfully so, particularly as a member of the LGBTQ community. Tingle has every right to be angry. He even has every right to write a book out of that anger. BUT if Tingle wants to join the growing chorus of voices saying “no more” then I think the chorus of voices needs to create spaces for forward movement and instead what he’s done is create a space of convoluted anger and continued fear that by acting certain ways we’ll be dragged to hell and tortured for eternity. I think this book missed the mark in terms of saying “no more” and bringing spaces of healing and momentum toward something different and better into the world. Rather, Tingle perpetuated the idea of a literal Christian hell and continued to create spaces of fear and fear-based conversion (though, not conversion in the conversion camp sense), and to me that makes this book disappointing and sad, no different than movies that perpetuate the fear we have over war and disease during times of war and disease. I think collectively we need spaces where we can grapple with what cultural reality looks like, but (and this is coming from someone who has not been through conversion camp, so take my opinion with a grain of salt) I don’t think this was quite it.

Advice : If you like horror, particularly supernatural horror, you will probably find this fairly enjoyable. If you have any form of religious trauma or trauma surrounding conversion therapy, I would steer clear of this one. Although, it’s possible you may find it cathartic – but I think there are definite themes that would be potentially triggering to those with PTSD, so bear that in mind. It was a miss for me, but if you love horror it may be a hit for you.

The Saint of Bright Doors Review

Book: The Saint of Bright Doors
Author: Bajra Chandrasekera
Publisher: Tor Dot Com
Year: 2023
Rating: 5 out of 5 stars

Synopsis: “Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy. He walked among invisible powers: devils and antigods that mock the shape of man. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city and fell into a broader world where divine destinies are a dime a dozen.”

Review: Before I sat down to write this review, I made the mistake of reading some of the GoodReads reviews on The Saint of Bright Doors. The average review was 3.5 stars and they were littered with “did not finish” (DNF) reviews from people calling this book pretentious and confusing. Before I had even finished Saint, I vehemently told my partner this book needs to be a summer reading book for AP English students. NEEDS TO BE. I have to assume that those who were DNFing this book have never read Catch-22 or One Hundred Years of Solitude (and if they have, I would hate to see their impending reviews about how terrible they are), but I think that’s probably a rant for another time.

It has taken me several days since finishing Saint to finally get the nerve to sit down and write this. Chandrasekera has written an absolute masterpiece; it’s hard to know where to begin. The Saint of Bright Doors weaves a web of myth and legend, beginning with our protagonist, Fetter, losing his shadow as a newborn. His mother, Mother-of-Glory, in an attempt to make Fetter her perfect killing machine, rips his shadow from his body with a nail. This loss finds Fetter no longer tied to the laws of gravity, able to simply float upward at the slightest unclenching of a muscle in his abdomen. Mother-of-Glory spends the first twelve years of Fetter’s life preparing him to kill his estranged father, The Perfect and Kind, a mystical holy-person and the leader of a cult-like religion called The Path Above (not to be confused with The Path Behind or any of the other offshoots of The Path Above, each as convoluted as the next, professing completely opposing beliefs, assured they are each the correct way forward).

Spoilers Below

When Fetter is twelve, Mother-of-Glory throws him out of the house, assuming the world would make him hard, perfecting the process she has already begun. Fetter, however, finds his way to an island called Luriat, rejects the killing lifestyle, and attempts to live his life in a new way. We spend the remainder of the book in Luriat, for the most part, and watch as Fetter grows to love this strange and mixed up island. The political and religious system of the world Chandrasekera has created are confusing and complicated, often convoluted, and always at odds with whatever political or religious system has recently been overthrown, often seeing buildings and streets renamed for the new political or religious system in place, thus leaving spaces to be named and renamed and renamed over again, sometimes bouncing back and forth between names when one system overthrows another and is then overthrown by the previous system. It’s complex, I understand why some people found this difficult to process, but it only serves to show how strange the world Fetter lives in is.

We spend most of the book assuming that Fetter’s parents are otherworldly in some way because they’re both, seemingly, hundreds or thousands of years old. What we come to learn, though, is that, around the time of Fetter’s birth, The Perfect and Kind simply reshapes the world and in doing so creates thousands of years of political and religious systems in the memories of those alive, throwing Mother-of-Glory into a space where, though only 15-20 years old, she remembers her original homeland but also remembers all that has come to pass since then – false memories that were created with the reshaping of the world. In this reshaping, the island of Luriat comes into existence for the first time. I find this reshaping to be a fascinating part of this tale and I’ll tell you why! As I read through Saint, I kept thinking “this is an epic”, though it’s not necessarily an epic in the traditional sense. It covers a span of time, it’s a decently long book, but realistically we’re only spending about 30 years with Fetter from the start of the book, at his birth, to the end of the book. It doesn’t quite make it an epic, and yet…it’s an epic. Chandrasekera has created an epic in the same way that The Perfect and Kind has recreated the world, building history into something that is thousands of years younger than it seems. It’s nothing short of masterful.

The Saint of Bright Doors is a book about choosing our own destinies despite the destinies we may often find thrust upon us. It’s about autonomy in the face of somewhat mystical forces. Fetter joins a group of people in Luriat, a self help group if you will, called the Unchosen. People who come from all kinds of different mystical and mythical backgrounds, those with equally magical and powerful families and family members, people who came close to being the chosen ones, but just didn’t quite make it. Each person in the group has their own story and their own magical abilities, and they each set out to become something else. I suspect that at least one person in the group actually is a chosen one, but the story of their legacy is so muddled by the time it makes its way to them, that they are unable to fulfill their particular destiny. Fetter, similarly, has a legacy he is unable to fulfill at the time he finds the group because he’s never been introduced to his father and is unable to A) become the heir to The Perfect and Kind or B) kill is father as Mother-of-Glory has raised him to do.

Fetter spends much of the book wondering who he is, exactly. He slips into different personas in order to fit into the caste system of Luriat and do the work he wants to do, which is studying the bright doors around the city – doors which, if closed for too long and put under the right amount of pressure, will turn into something magical. No one knows or understands what the doors do, but Fetter can see that they are actually open doorways to other worlds and realities, through which devils can cross and enter the world Luriat exists in.

Fetter, appropriately named for one who is tied down, spends his life in this book attempting to escape the destinies that his parents see for him, to escape the destinies that are thrust upon him by institutions, political and religious systems, or even by those he considers his friends. He wonders who he is in relation to the secrets and lies he’s constructed in order to fit in, and I can’t think it’s a coincidence that he finds himself most at home on an island that shouldn’t even exist – an island that has simply chosen it’s own destiny. Fetter finds himself drawn to bright doors, turning into magical portals when given the time or attention to become what they want to be, again spending his time with creations that have chosen their own destinies. In the end, Fetter leaves us with this :
“‘Every lost past is a world,’ Fetter says. ‘I learned that from my…from the Perfect and Kind himself. I think it might be the only thing I learned from him that matters. Behind every bright door is a world full of lost hearts. It matters.’ […] “‘I need you to understand me, here. I know this isn’t your politics, and I swear to every devil I know I’m not turning my back on that, because I’m fucking here, aren’t I? I’m here, this time But I need you to understand what I mean when I say I am the world.’ Koel laughs, shortly. ‘And you’ve changed it?’ ‘And I’ve changed it,’ Fetter says.”

Advice: If you read One Hundred Years of Solitude and found it easy to keep track of the timeline, you will have absolutely no trouble keeping track of the intricacies of The Saint of Bright Doors. If you read Catch-22 and found the politics laughable and relatable, you will have absolutely no trouble seeing the politics in The Saint of Bright Doors for what they are. If you enjoy an epic, world building, myths, and strangeness, this is the book for you. If you can read critically and analyze what you’re consuming, dive the heck in! You don’t want to miss this one.

The Angel Maker Review

Book: The Angel Maker
Author: Alex North
Publisher: Celadon Books
Year: 2023
Rating: 3 out of 5 stars

Synopsis : “Growing up in a beautiful house in the English countryside, Katie Shaw lived a charmed life. At the cusp of graduation, she had big dreams, a devoted boyfriend, and a little brother she protected fiercely. Until the day a violent stranger changed the fate of her family forever.

Years later, still unable to live down the guilt surrounding what happened to her brother, Chris, and now with a child of her own to protect, Katie struggles to separate the real threats from the imagined. But then she gets the phone call: Chris has gone missing and needs his big sister once more.

Meanwhile, Detective Laurence Age is facing a particularly gruesome crime. A distinguished professor of fate and free will has been brutally murdered just hours after firing his staff. All the leads point back to two old cases: the gruesome attack on teenager Christopher Shaw, and the despicable crimes of a notorious serial killer who, legend had it, could see the future.”

Review : Why is it that the books that come with the coolest ARC packaging always turn out to be the biggest duds? The Angel Maker arrived with several envelopes, each with a sticker dictating after which chapter you should open each. Inside the envelopes were cute little references to the revelations in each corresponding chapter: a small card, a newspaper article, and a box of matches. I love getting ARC packages, they are always an extremely enjoyable aspect of receiving and reviewing books, but what I’ve come to notice is that if a book has a detailed and intricate package, it’s likely to be pretty rough reading.

The Angel Maker did not disappoint in terms of living up to the ARC package let-down. North, a former New York Times best seller, wrote a book with a unique story in a truly bizarre way. I found myself wondering several times if he had simply hit “replace all” for certain words, given the strange wording of so many of his sentences. There were many instances of sentences that seemed to go nowhere, that wove a strange web of words that didn’t go together, it felt almost as if it had been poorly translated into English. I found myself baffled more than not reading through this one – and I realize it’s an uncorrected proof so it’s probably pretty likely that by the time it’s available to buy these problems will have been corrected, but I think it speaks volumes when an ARC reads so poorly.

I will give North credit, though, the story he’s created is interesting and strange. It unravels at the speed you’d hope from a suspense/thriller novel. Told from the point of view of several people, it hops between the present and the past, unveiling more and more details as you read. Something North did that I didn’t enjoy, however, was relying on the unreliable female narrator trope – once again we see a female protagonist, Katie Shaw, who’s had two whole glasses of wine and suddenly no one around her can possibly believe a word she says, so what does she do? Investigates on her own, of course! What else could she possibly do? This is the trope. It’s old, it’s over done, it’s worn out, and it’s lazy. And I’m not exaggerating, she had two glasses of wine in one single scene and suddenly her husband no longer believes a word she’s saying. But let’s not even focus on the fact that her husband regularly leaves their five year old daughter alone to watch tv by herself while he makes music in the basement with the door closed, a fact that Katie finds bothersome and irritating while her husband, Sam, finds completely acceptable.

I find it hard to want to read a book that employs the aforementioned trope, particularly as a woman. Not only is it overdone, but it plays into a stereotype that honestly isn’t a good look coming from yet another male author. I was slow to read The Angel Maker for all of the above reasons, it took me longer than most of the ARCs I’ve read this year because, while the story was interesting, it was written so poorly and in such a lazy way that it was no longer even a compelling read. It’s unfortunate that an author can take a quality premise and mess it up so badly that it isn’t even worth turning pages to see the finale. I’ve said many times that a book doesn’t have to be well written to be compelling, and unfortunately The Angel Maker is neither well written nor compelling.

Advice: Unless Alex North is your favorite author, this is a pass for me. It contains depictions of attempted and successful murder, snuff films, houselessness, substance abuse, and gaslighting. If you enjoy a book with worn out tropes, you might actually like this one. If you don’t, this isn’t it.