Daisy Jones & The Six Review

Book: Daisy Jones & the Six
Author: Taylor Jenkins Reid
Publisher: Ballantine Books
Year: 2019
Rating: 2 out of 5 stars

Synopsis
“Daisy is a girl coming of age in L.A. in the late sixties, sneaking into clubs on the Sunset Strip, sleeping with rock stars, and dreaming of singing at the Whisky a Go Go. The sex and drugs are thrilling, but it’s the rock ‘n’ roll she loves most. By the time she’s twenty, her voice is getting noticed, and she has the kind of heedless beauty that makes people do crazy things.
Also getting noticed is The Six, a band led by the brooding Billy Dunne. On the eve of their first tour, his girlfriend Camilla finds out she’s pregnant, and with the pressure of impending fatherhood and fame, Billy goes a little wild on the road.
Daisy and Billy cross paths when a producer realizes that the key to supercharged success is to put the two together. What happens next will become the stuff of legend.
The making of that legend is chronicled in this riveting and unforgettable novel, written as an oral history of one of the biggest bands of the seventies. Taylor Jenkins Reid is a talented writer who takes her work to a new level with Daisy Jones & The Six, brilliantly capturing a place and time in an utterly distinctive voice.

Review: Daisy Jones & The Six received a tremendous amount of fanfare preceding it’s release in March of 2019. It was read, reviewed, and adored long before it was available to buy; nearly every book reviewer I follow read the book and was singing its praises. Naturally, I was excited to pick it up, expecting a wild ride through rock and roll, drugs, and the culture of the seventies. I was sorely mistaken. DJ&TS is a kiddie ride by comparison, though Reid does discuss prolific drug use and there is some mention of sex, the details are left out and what the reader finds is a watered down story you could find on VHS’ Behind the Music. The style of the book is told as an interview, each band member giving their thoughts on the time, looking back from some fifty or sixty years later. While this style of writing is interesting and different, it requires interview subjects who have a strong grasp of the details and events as they unfolded. These former rockers talk about night after night of partying, allude to hard drugs, and mention doing lines before shows – none of which give me the impression that they would be capable of rehashing the minutiae, and yet I have come away from the book with a full and complete story. Somehow.
Reid puts a singular emphasis on foreshadowing throughout the book, leading the reader to an explosive climax, or so it seemed. The build up was hundreds of pages long, being alluded to early on and continuously referenced throughout the interviews, but when the eventual fallout occurred it was quiet, quick, and expected. In this same style, Reid turns the end of the transcript into a second “reveal”, giving the reader the details of who had been performing the interview throughout the story – here’s a spoiler: it adds absolutely nothing to the book or it’s plot.
DJ&TS is finished with a predictable rom-com ending that I saw coming from nearly the first chapter of the book. It is cheesy and it trivializes the deep connection Billy and his wife Camilla had for their entire adult lives. It takes a woman who sacrificed everything for her husband to go on tour and become one of the most famous musicians of the time, and turns her into a backdrop and a consolation prize.

My Advice: If you are looking for a book with any sort of female empowerment or feminist message, this is not the book for you. It is lacking, it is weak, and it is a massive disappointment. If you like the idea of a one note story, pun not intended, and a terribly written rom-com then this is absolutely your book. Reid calls Barbara Streisand her primary influence for Daisy’s style and after looking at pictures of young Babs online, I can say with confidence that not only was she the influence, Daisy’s style was an exact rip off of her look. It’s been done. Don’t waste your money, turn on any band interview and you’ll have the gist.